People imagine scouting as a flash of instinct — a tapped shoulder in a crowd. The truth is slower. Our scouts watch how someone stands when nobody is watching, how they walk when they are late, and whether their face holds the camera's interest without performance.
Proportion matters, and we publish our minimums openly. But proportion alone signs nobody. Presence — the ability to fill a frame quietly — is what separates a good test shoot from a career.
The third quality is patience, and it belongs to the scout as much as the model. Most faces we follow need one to three years of development: school finished, walk built, book grown frame by frame. Signing too early helps nobody.